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Ballet Shoes National Theatre – Tickets, Cast and Reviews 2025

James Arthur Bennett Harrison • 2026-04-27 • Reviewed by Oliver Bennett

A beloved novel from 1936 is brought to vivid theatrical life at one of London’s most celebrated stages. Ballet Shoes, adapted from Noel Streatfeild’s timeless story, returns to the Olivier Theatre at the National Theatre on South Bank, offering audiences a rich blend of family drama, ambition, and heart. The production, which first premiered to widespread acclaim in 2024, resumes its run in November 2025 and continues through February 2026, giving theatregoers across the capital ample opportunity to experience its magic.

Directed by Katy Rudd with adaptation by Kendall Feaver, the show centres on three adopted sisters—Pauline, Petrova, and Posy—as they navigate a world that offers limited space for women’s ambitions. Set against the backdrop of a crumbling London house, the narrative weaves together ballet, acting, and aviation, exploring themes of found family, grief, self-discovery, and resilience. Rufus Norris oversees the staging in his role as National Theatre director, while a dedicated ensemble cast brings the story’s emotional depth to life night after night.

Whether you are planning a family outing, a theatre outing with friends, or simply curious about this acclaimed production, this guide covers everything you need to know: from how to secure tickets and which cast members to watch out for, to the story at the heart of the show and what critics have said about it.

Ballet Shoes National Theatre Tickets

Venue

Olivier Theatre, National Theatre South Bank

Based on

Noel Streatfeild’s 1936 novel

Director

Katy Rudd

Performances

November 17, 2025 – February 21, 2026

  • Three adopted sisters pursue individual passions in ballet, acting, and aviation within a single household
  • The production premiered in 2024 and earned five-star reviews from audiences and critics alike
  • Tickets are available through TodayTix, SeatPlan, London Box Office, and the National Theatre box office directly
  • Booking through the National Theatre box office is recommended for accessibility needs and assisted performances
  • The Olivier Theatre is located near Waterloo station, served by bus routes 1, 4, 26, and several others
  • Some February 2026 dates, including the final performances on February 20–21, remain listed as available at time of search
Fact Details
Ticket starting price £56
Venue Olivier Theatre, National Theatre, South Bank, London SE1 9PX
Performance run November 17, 2025 – February 21, 2026
Interval One interval included
Recommended age 7+ (under 16s must be accompanied by an adult)
Themes Adoption, death, grief, self-discovery, found family
Booking platforms TodayTix, SeatPlan, London Box Office, National Theatre box office
Accessibility Book directly via National Theatre box office for assisted performances
Booking recommendation

Tickets starting at £56 are available through multiple platforms, but the National Theatre box office is the preferred channel for anyone requiring accessible seating or assisted performances. As availability shifts regularly, checking live listings closer to your intended visit date is advisable.

Ballet Shoes National Theatre Cast

The production features a broad and accomplished ensemble, with several names familiar to television and stage audiences. Lesley Nicol, widely recognised for her role as Mrs Patmore in the television series Downton Abbey, portrays Nana, one of the sisters’ guardians. Anoushka Lucas, who starred in A Face in the Crowd and the Broadway revival of Oklahoma!, takes on the role of Sylvia, bringing her acclaimed screen and stage presence to the Olivier stage.

Full Ensemble Cast

The cast extends well beyond its lead performers. Sienna Arif-Knights, Nina Cassells, Scarlett Monahan, Raj Bajaj, Rosie Boore, Eryck Brahmania, Chrissy Brooke, Luke Cinque-White, Pandora Colin, Georges Hann, Nadine Higgin, Gracie Hodson-Prior, Kaitlyn Moore, Anu Ogunmefun, Xolisweh Ana Richards, Justin Salinger, and Katie Singh complete the ensemble. Together they populate the world of the Fossil household, bringing colour and depth to every scene.

Family viewing note

The production is recommended for children aged 7 and above. Younger audience members may find some of the emotional themes—including adoption and loss—challenging to process. Parents and guardians are encouraged to use their discretion when planning attendance for very young children.

Ballet Shoes National Theatre Review

Critical response to the production has been overwhelmingly positive since its premiere. The Times awarded the show a full five stars, declaring it a production “I’d recommend this Christmas show to absolutely anyone.” The Guardian described it as “spirited, spiky and spectacular,” capturing the energy and emotional range that defines the adaptation. London Theatre called it “utterly delightful… a must-see for all the family,” while the Evening Standard praised its “spry visual ingenuity and gung-ho warmth.”

The Stage offered a characteristically measured four stars, noting the production was “as nimble and twinkling as any dainty dancer’s fleet, satin-slippered feet.” Audience reviews echo these sentiments, frequently highlighting the strength of the cast performances, the inventive set design, and the warmth of the family themes. Additional five-star praise has emphasised the inventive staging, the quality of the dancing sequences, and the festive atmosphere that the production brings to the Olivier Theatre.

For those who cannot attend in person, the production has also been available through streaming, broadening its reach beyond the South Bank venue. An official programme is sold through the National Theatre shop, making it a popular keepsake for those who have experienced the show.

Where reviews are published

Critiques referenced here have been drawn from The Times, The Guardian, The Evening Standard, The Stage, and London Theatre. All were published following the 2024 premiere and subsequent return performances.

Ballet Shoes National Theatre 2025

Following a successful initial run in 2024, Ballet Shoes returned to the Olivier Theatre on November 17, 2025, and is scheduled to run until February 21, 2026. This extended run reflects both the production’s commercial appeal and its critical standing as one of the standout family shows in recent National Theatre programming.

The adaptation by Kendall Feaver has been noted for capturing the spirit of Streatfeild’s original novel while making the material accessible and emotionally resonant for contemporary audiences. Director Katy Rudd brings a clear theatrical vision to the production, aided by staging overseen by Rufus Norris in his capacity as National Theatre director. The result is a show that balances the nostalgic charm of a mid-century British setting with urgent, contemporary questions about ambition, gender, and belonging.

The Fossil household itself is rendered with inventive detail on the Olivier stage, where audiences are drawn into a world of creaking floorboards and handwritten receipts pinned to noticeboards. Each sister—Pauline with her acting dreams, Petrova with her fascination for engines and flight, and Posy with her natural grace on the dance floor—carries a distinct narrative thread, yet the production ensures they remain intertwined. This interplay gives the show its particular warmth, as audiences watch three young women carve out space for themselves in a society that offers them feweasy paths.

For those planning a visit, the National Theatre’s website provides comprehensive information about getting to the South Bank venue, including details on parking, cycle storage, and nearby amenities. The theatre also offers a range of dining options, making it possible to combine an evening at Ballet Shoes with a meal at the River Restaurant or the措施的 bar overlooking the Thames.

Everything You Need to Know About Ballet Shoes at the National Theatre

Beyond its narrative strengths, Ballet Shoes distinguishes itself through its choreography, which draws on classical ballet technique while incorporating more contemporary movement language. The dancing sequences—particularly those featuring Posy—are praised for their technical precision and emotional authenticity. Meanwhile, the production’s treatment of Petrova’s aviation storyline offers moments of quiet wonder and spectacle, grounded by the practical challenges she faces as a young woman interested in a field dominated by men.

The production’s visual design deserves particular mention. Critics and audiences alike have highlighted the set’s clever use of space, which transforms the Olivier stage into the cluttered, warm interior of the Fossil household. Costumes further reinforce the period setting while remaining accessible to younger viewers. The result is a production that feels both historically rooted and visually immediate.

Accessibility remains a priority at the National Theatre, and Ballet Shoes is supported by a range of assisted performances. These include audio-described shows, captioned performances, and sessions designed for neurodiverse audiences. Those requiring specific accommodations are encouraged to contact the box office directly to discuss their needs before booking.

With tickets starting at £56 and a run extending into February 2026, Ballet Shoes represents a significant investment for families and theatre enthusiasts. However, the production’s five-star critical reception and the breadth of its emotional appeal suggest it is a show that rewards attendance at any point during its run. Whether you catch it early in the season or during the final performances in February, the experience is likely to leave a lasting impression.

Those unable to attend in person may wish to explore the production’s streaming options, which have allowed audiences beyond London to engage with the show. The official programme, available through the National Theatre shop, offers a behind-the-scenes look at the production’s development, including insights from the cast and creative team.

James Arthur Bennett Harrison

About the author

James Arthur Bennett Harrison

We publish daily fact-based reporting with continuous editorial review.